Want to create believable digital humans? Unlock the secrets to animating realistic facial performances in the first of a new series of Unreal Online Learning courses, created in partnership withFaceware.
Will teach you how to use Faceware Studio and Live Client: two tools that can track facial movement from any pre-recorded video or live camera to a MetaHuman inside Unreal Engine—all in realtime.
You’ll then learn to refine each performance, so that by the end of the course, you can recreate every nuance of a smile, frown, or arched eyebrow as you craft your most realistic digital characters yet. Learn more about Faceware Studio and about the coursebelow. About Faceware Studio Used by creatives at Scanline VFX, Hazelight Studios, and more, Faceware Studio can track and animate any facial performance, whether it’s from a live phone camera or a prerecorded video, thanks to its neural network technology. Faceware Studio connects to Unreal Engine through the free Live Link plugin, making it the perfect way to apply realistic facial animation data to your MetaHuman character in realtime.
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Unreal Engine and MetaHuman beginners. People who are new to Faceware Studio and Live Client, and interested in creating realistic digital humans for the film, games, or virtual productionindustries.
Sign up now for our free MetaHuman Workflows with Faceware Studio course and learn how to bring realistic expressions to your believable digital humans today.
Unreal Editor for Fortnite (UEFN) combines the power of Unreal Engine with the scale of Fortnite. Use development tools to build games and experiences that can be unlike anything seen in Fortnite so far and publish for millions of players to enjoy.
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At the State of Unreal, we revealed how we’re laying the foundations for an open ecosystem and economy for all creators. Find out how everything Epic has been building for the past 30 years fits together.
Find out how Metaverse Entertainment used MetaHuman and Unreal Engine to create a natural, believable, and charming virtual K-pop band, and in the process, produced IP content in various forms.Back in July Epic Games released Unreal for All Creators, a short brand film using Unreal Engine, showing what artists can achieve with the tool. Now a webinar shows how the VFX for the video were created.
Epic Games commissioned artist and director FILFURY and his team at The Mill to create Unreal for All Creators. The experience changed his outlook on the future of visual effects creation. Find out why.
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Built as a game engine, Unreal Engine provided game developers with the tools to craft absorbing interactive entertainment in real-time. When the tool was discovered by the rest of the industry, its potential became evident, and today real-time technology is rapidly establishing itself across a broad spectrum of industries, and those using Unreal Engine include architects, automotive designers, cinematographers, simulation experts, and—of course—game developers, as well as many other professionals.
To celebrate creators across all industries, Epic Games commissioned artist and director FILFURY and his team at The Mill to make a short brand film using Unreal Engine. The result was Unreal for All Creators, a short film, and a good example of what can be achieved with the tool. The VFX in the brand film were all created in a real-time environment, a complete change for those artists in the team more accustomed to using traditional VFX tools.
Artist and director FILFURY said, in a behind-the-scenes interview published by Epic Games, that he enjoyed how quickly he was able to achieve imagery that was almost final noting that “I’m usually getting grayscale renders, […] first renders without any comp, without any love and magic and atmosphere. Everything happens in the 11th hour” adding that “with this project, that just didn’t really happen. Very quickly, we saw good-looking things.”
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The experience has left him keen to try using real-time tools on more projects. “It was just a first for me—I was relying on what I felt comfortable in the past doing, ” he says. “So that’s exciting for me. There is no limitation. I’ve dipped my toe in the water working in this new way. I want to do it again. Moving forward, the kind of potential of building the world before we do the shoot, to me just feels like a better use of the time.”
ProVideo Coalition has mentioned, multiple times, how Unreal Engine is being used by filmmakers, and how the game engine has evolved, and FILFURY is yet another example of the potential Unreal Engine has to offer. The recent live webinar from Epic Games, Creating Visual Effects With Unreal Engine, which you can still watch online, looks at how the stunning VFX in the Unreal for All Creators brand film were achieved.
In this webinar, Epic Games’ Technical Artist Malachi Duncan provides an insight into how the artist-friendly visual effects for the video were created inside Unreal Engine. Explore how the visual effects in the film were achieved. You’ll learn the secret behind many of the effects. You’ll learn how to:
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If the webinar video makes you want to try, you’ll soon be able to download some of the assets for free from the Marketplace, says Epic Games. In the meantime, you can experiment with this simpler sample project file you can download to your computer.
Want to explore more Unreal learning resources? Check out the full webinar series to hear expert advice from Epic and industry speakers on a range of topics. And visit the Unreal Online Learning portal for hands-on video courses and guided learning paths.
The video made by The Mill, directed by FILFURY, and produced in Unreal Engine, gives us a glimpse of the limitless possibilities open to all creators. The webinar mentioned here and the other resources available online show how creators can achieve extraordinary levels of detail and interactivity for visualizations across industries as diverse as games, film & TV, architecture, and automotive.
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The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.. Our most recent short film, The Ningyo, had just died in development hell. We had put years of blood, sweat, and tears into that film, and it all went up in flames.
Needless to say, we were heartbroken and disenchanted with the whole industry. But, after moping around for a few months, I found comfort in the cinema of the '60s and '70s, captivated by its raw and imperfect qualities. The use of 16mm film and bleak endings imbued the films with a sense of punk-rock rawness, making them feel real and unrefined.
I wanted to make an homage to this era, but do it in animation, and from that came The Voice in the Hollow, an African-inspired horror film in Swahili.
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The movie drew inspiration from classic Westerns, with Sergio Corbucci's The Great Silence serving as a major influence for its bleak ending. We also drew from The Good, The Bad, and The Ugly for its color scheme and tense stand-off. Other sources of inspiration included Tales from the Crypt, Texas Chainsaw Massacre, Mario Bava's Black Sabbath, Dario Argento, and Apocalypto.
We typically worked with V-Ray, an offline renderer, but taking part in the Unreal Fellowship — an intensive, month-long course — opened our eyes to the possibilities of real-time, which uses game engine technology to deliver great visuals almost instantaneously.
My partner Tran and I both teach at Gnomon School of Visual Effects, so we presented the idea to Founder and President Alex Alvarez. He loved it and agreed to fund the film, but there was a caveat: we had to document the process and put it online. Which was terrifying for us! When I'm working for companies, I'm the kind of guy who sits with his back to the wall and only lets people see his work once it's complete.
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So as well as trying something completely new in an engine we had only used for a few weeks, we had the added pressure of showing our work every week. We thought we would fail on an epic scale, and it would be online forever.
We meticulously planned to showcase our work every Friday from 1 to 3 PM through streaming. Initially, we had set out to prepare a lineup of engaging tutorials but quickly realized that it was hindering our progress. Instead, we opted to
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